Blackened Faces and a Veiled Woman: The Early Korcula Moreska. - Comparative Drama

Blackened Faces and a Veiled Woman: The Early Korcula Moreska.

By Comparative Drama

  • Release Date: 2003-09-22
  • Genre: Performing Arts

Description

Mock battles between Moors (or Turks) and Christians are one of the most popular features of the folk theatrical repertoire almost anywhere that Spanish culture was once dominant. Beginning, perhaps, in the late thirteenth century, and varying in form from small dances to massive street theater, they are still immensely popular along Spain's Mediterranean coast and throughout much of Latin America. Scholars have tended to pay most attention to the traditions westward travels from Spain to the Americas, where the conquered peoples often insinuated a "hidden transcript" of indigenous resistance into the "public transcript" of European Catholic triumph. (1) But the tradition also traveled eastward to parts of Italy and Germany under Spanish rule and, further, to parts of eastern Europe not ruled by but engaged in trade and diplomatic relations with Spain. One such place in eastern Europe where the tradition still thrives is the medieval walled city of Korcula on the Croatian island of the same name. The island of Korcula sits in the Adriatic Sea, close to the mainland and about equidistant between Split and Dubrovnik. Known to Greek antiquity, because of its thick woods, as Korkyra Melaina (Black Korcula) and to the Romans as Corcyra Nigra, its strategic position on the Adriatic trade route between Europe and the East has meant that the island has been governed by external imperial powers for much of its history. Venice, the most frequent and longstanding of these, ruled the island for a brief period after 1000 and, again, in 1125/29-1180, 1254-1358, and 1420-1797. (2) Korculan attitudes to Venetian rule were ambivalent at best. In the last and longest of these periods, the only realistic alternative to Christian rule by Venice was Muslim rule by the Ottoman Turks. Korculans, according to Vinko Foretic, grudgingly preferred the former, "with all its evils," to the latter. (3) Testimony to an enduring Korculan resentment of Venetian rule can also be found in the still popular legend of the Crnomiri (Black Peace) brothers, reputed to have led an uprising against the first Venetian duke of Korcula, Petar Orseolo, in 1000. (4)

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