One day not long after Allenby had captured Jerusalem, I happened to be in front of a bazaar stall on Christian Street, remonstrating with a fat old Turkish shopkeeper who was attempting to relieve me of twenty piasters for a handful of dates. My attention was suddenly drawn to a group of Arabs walking in the direction of the Damascus Gate. The fact that they were Arabs was not what caused me to drop my tirade against the high cost of dates, for Palestine, as all men know, is inhabited by a far greater number of Arabs than Jews. My curiosity was excited by a single Bedouin, who stood out in sharp relief from all his companions. He was wearing an agal, kuffieh, and aba such as are worn only by Near Eastern potentates. In his belt was fastened the short curved sword of a prince of Mecca, insignia worn by descendants of the Prophet.
Christian Street is one of the most picturesque and kaleidoscopic thoroughfares in the Near East. Russian Jews, with their corkscrew curls, Greek priests in tall black hats and flowing robes, fierce desert nomads in goatskin coats reminiscent of the days of Abraham, Turks in balloon-like trousers, Arab merchants lending a brilliant note with their gay turbans and gowns—all rub elbows in that narrow lane of bazaars, shops, and coffee-houses that leads to the Church of the Holy Sepulcher. Jerusalem is not a melting-pot. It is an uncompromising meeting-place of East and West. Here are accentuated, as if sharply outlined in black and white by the desert sun, the racial peculiarities of Christian, Jewish, and Mohammedan peoples. A stranger must, indeed, have something extraordinary about him to attract attention in the streets of the Holy City. But as this young Bedouin passed by in his magnificent royal robes, the crowds in front of the bazaars turned to look at him.
It was not merely his costume, nor yet the dignity with which he carried his five feet three, marking him every inch a king or perhaps a caliph in disguise who had stepped out of the pages of “The Arabian Nights.” The striking fact was that this mysterious prince of Mecca looked no more like a son of Ishmael than an Abyssinian looks like one of Stefansson’s red-haired Eskimos. Bedouins, although of the Caucasian race, have had their skins scorched by the relentless desert sun until their complexions are the color of lava. But this young man was as blond as a Scandinavian, in whose veins flow viking blood and the cool traditions of fiords and sagas. The nomadic sons of Ishmael all wear flowing beards, as their ancestors did in the time of Esau. This youth, with the curved gold sword, was clean-shaven. He walked rapidly with his hands folded, his blue eyes oblivious to his surroundings, and he seemed wrapped in some inner contemplation. My first thought as I glanced at his face was that he might be one of the younger apostles returned to life. His expression was serene, almost saintly, in its selflessness and repose.
